Y SIN EMBARGO magazine

. . Entropy ≥ Memory . Creativity ² . .

. . Entropy ? . . it doesn’t create, because it doesn’t desire . .

. . it’s impossible to shot our own shadow on sunset, without disturbing the sun activity itself . .

. . each picture is also made of all the misunderstandings it provokes . .

. . tell me Jean, what’s the thickness of appearances viewed from the hyporeality ? . .

. . tell me Gilles, on which side of the pleat does an appearance disappear ? . .

. . to create ? . . to dis-choose ! . .

. . to explore ? . . to let the destination wander, to conjugate the route . .

. . if the reality was only sensitive, we wouldn’t understand anything . .

. . neither words, nor colours, outside the in-between median vacuum . .

. . the borderline of an image is not drawn around, but always entropied inside . .

. . not the truth, but each one ours, each one our point of view . .

. . to imagine ? . . to remember what is unknown, to dis-cognize instead of to re-cognize . .

. . to pictosophy ? . . to swim among the other fishes at the time of food falling from the sky . .

. . wich mirror lies more ? . . the one who distorts or the one who claims it doesn’t ? . .

. . heteromogeneous ? . . when all things singularly identical are at ounce uniformly different . .

. . in the white and deaf night where we’re butterflying the vacuum . .

(Por Joël-Evelyñ-François Dézafit-Keltz para Y SIN EMBARGO #14)

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